![]() ![]() Under any proper criticism, they are just a madman’s drawings on his padded cell. Nonetheless, they are overwritten drivel, full of female characters with breasts so large and focused on they might as well be the threat themselves. That said, I do enjoy the games the endless nonsensical mess that is the story, and the fact they are usually fun in some way. I wouldn’t say I’m the most knowledgeable guru of the series, I wouldn’t say I’m a massive fan of it either. Yet the directing is some of the best in gaming. The story is tame, crap, and nonexistent all at the same time. The gameplay is a drastic difference from others as it is as wide and open as the plains of Africa and Afganistan. Though if you’ve completed it and know the canon, it is dreadful and some of Hideo’s worst work. I’m hesitant to praise The Phantom Pain because if you’ve played a bit of it, it is great. ![]() Metal Gear Solid V: The Phantom Pain, is both the worst possible example of, “ This game director is amazing ,” and also part of his best work, sort of. Nonetheless, one of his games has played on my mind ever since I first played it recently I’ve returned to it, and I’m still in two argumentative minds over it. We were all a bit weird back then, otherwise, we wouldn’t have liked The Black Eyed Peas for a whole five minutes. ![]() Metal Gear Solid, Hideo Kojima’s masterpiece and the thing that propelled him into the cult-like status in the minds of the disillusioned youth of the early to mid-2000s. It goes without saying if you do not want spoilers this may not be the review for you.) (WARNING: The following review contains spoilers for the game being reviewed. ![]()
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